April 21st, 2010


Well, That'll Eventually Be One Less Book For My Pull List....

A week or two ago, it was announced that Amanda Conner and her husband Jimmy Palmiotti were going to leave Power Girl, effective issue #12.  She does the art, he does the writing.  (Side note:  I don't have proof of this, but supposedly, Palmiotti read The Supremacy  #1 and said it was one of the best written comics of last year.  Excuse me while I do the Cabbage Patch for a moment....)  They were both at C2E2 this weekend.  I missed Palmiotti, but I caught Conner and she graciously signed every last Power Girl book I brought with.  Her line moved slow because she wouldn't just scrawl her name, she would talk with the fans (she also had multiple pens and would sign each book in a color that complimented it).  With her departure from Power Girl, she and her husband have been talking up a creator-owned project they have been working on.  She told me she was excited, but was hoping they'd be back on Power Girl before too long.  She liked Power Girl and agreed with me that she was like Supergirl but without the continuity-based baggage.

It was after I got the books signed (and just ended it there, I had variant covers by Adam Hughes, but he sat at his table behind a sign saying he wouldn't sign any more books until 530PM.  Much as I love his art, I frankly am not interested in waiting around that long) that I started mulling things over.  Conner has said in interviews that she will now have the time to work on this new project.  She is an in-demand artist, so I'm not faulting that.

It's just that....

...something's not right here.

If the concern is the workload, there are a lot of ways around that.  When DC revived Plastic Man with the wonderful art of Kyle Baker (still my favorite work by him), he would do a storyline, then there would be an issue or two done by a fill-in, then it would be back to Baker.  The fill-ins I have for completeness.  They were a good imitation of Baker's cartoony take on the character (a true return to the series' roots), but were just kind of general in their focus.  Not bad, but not great.

The point is, there are plenty of ways to handle the workload and keep an artist who is ostensibly one of the selling points of a title around (everyone I heard in line and have read online has said that, when Conner is gone, so are they).

I wonder if this might be the answer:  below are the sales figures for Power Girl since the regular series debuted.  The tale of the tape?

05/2009: #1 -- 47,322 (regular issue and variant cover)
06/2009: #2 -- 36,756 (-22.3%) (regular issue and variant cover)
07/2009: #3 -- 35,163 (- 4.3%) (regular issue and variant cover)
08/2009: #4 -- 32,140 (- 8.6%) (regular issue and variant cover)
09/2009: #5 -- 29,497 (- 8.2%) (regular issue and variant cover)
10/2009: #6 -- 27,060 (- 8.3%) (regular issue and variant cover)
11/2009: -- (I noticed there wasn't an issue in my pull that month)
12/2009: #7 -- 22,533 (-16.7%) (after an issue missed a month.  What a shock)
01/2010: #8 -- 21,760 (- 3.4%)
02/2010: #9 -- 20,900 (- 4.0%)

For those of you who don't do The Maths, this constitutes a 35% drop in readership.  Now, that's not bad, most of your titles pray for only a 33% drop between issue 1 and 2.  Power Girl only lost 22%.  However, the readership has been declining steadily.  I will be the first to admit I'm not thrilled with the general direction of the stories -- lots of interactions and plots hinging on Power Girl being a dish (you don't see Batman getting crushed out on by a fan girl) instead of being heroic.  Maybe if she was given stories that were heroic like the original miniseries from 1995, where she's the focal point instead of acting as an outside influence, it would help.  But the book's sales are now below the rumored PNR.  With Conner and Palmiotti gone, lots of people will drop it, pushing figures lower.  Whoever is taking over is on a suicide mission.  If Power Girl makes it to issue #16, I'll be amazed.

It's a shame.  The character of Power Girl has so much potential for great stories due to her isolation even when surrounded by superheroes.  Another player in the big leagues who never really got off the bench.


Really quick, I want to add a caveat to this before I begin....

This is not intended for general Muslims.  I know that your average everyday Muslim is a peaceful, live and let live kind of person who is not advocating the violent overthrow of the government or killing people who worship different from him.  This is intended for the lunatic fringe.

It seems some Muslim extremists are warning Trey Parker and Matt Stone, the geniuses behind South Park, that they could be killed for depicting the prophet Mohammad in a bear costume in last night's 200th episode.

I just want to warn the extremists of the dark forces they are playing with.

First of all, this isn't Salman Rushdie, who turned his victimhood into a cottage industry.  Provoking Parker and Stone will only make them pick on you more.  I know their mentality very well, and I can guarantee you this -- they already have something, some video satire, just sitting in a vault.  If they are killed by extremists, this will be released on the world because you can't kill them again.  And if you think you're offended now, you just wait.

Second, kill them, and they will be the least of your worries.  Anonymous, our old friend on the Internet, enjoys dicking with people who think they are a law unto themselves.  You will turn Parker and Stone into martyrs, and not only will Anonymous come up with stuff that makes South Park look like Romper Room, you'll never find them, and they'll delight in crashing your networks and hacking your systems.  Just ask the Church Of Scientology.  Christians in America will go nuts, making Parker and Stone a symbol of your religious intolerance and use them to justify their own intolerance.

There are a lot of people who want to attack you and all they need is an excuse.  If your threat is more than a threat...this is going to end in disaster, and you'll have no one to blame but yourselves.